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TRACK: A contemporary city conversation

12 May
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Ahmet Öğüt, “The Castle of Vooruit,” 2012.*
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TRACK
a contemporary city conversation
12 May–16 September 2012S.M.A.K.
Citadelpark
B-9000  Ghent, Belgium

T +32 9 240 76 60
info@track.be

www.track.be
Twitter

Curated by Philippe Van Cauteren and Mirjam VaradinisTRACK is a unique art experience in the public and semi public space of the city of Ghent. It offers surprising, enriching, and unexpected encounters with the city, its history, and its inhabitants and incites to reflect upon urban realities and the contemporary human condition in a broader sense. Thirty five international artists were invited to conceive new art works that are strongly rooted in the urban fabric of Ghent but link the local context with issues of global significance.

The two curators Philippe Van Cauteren and Mirjam Varadinis took the time to select exemplary locations in the wider city centre of Ghent and invited artists who have an affinity with the thematical context of those places. The selected artists used the local reality as a fertile source of inspiration and the results of their in-depth explorations are not simply traditional works of art, but artistic projects in all different media that embrace the social, economic, cultural, and political conditions of the city and the times we live in. Their works call for participation, interact with the different communities in various ways, and leave permanent traces.

TRACK is conceived as a universe of parallel narrations, occurences and (hi)stories. It consists of six clusters that offer a historical, cultural, architectural, and mental cross-section of Ghent and the idea of a city today. Each cluster has its own distinct atmosphere and touches upon a specific issue like mobility, religion, migration, economy, language, science, and city changes.

TRACK invites the audience to explore the exhibition in various ways. Visitors do not have to follow a given linear trail but are free to choose their own personal TRACK through the clusters and the city. Each visitor thus creates a different kind of narration, based on his or her background and the way they are approaching the exhibition. This free and multi-layered perception corresponds to our globalised world and the idea of plural realities happening at the same time.

TRACK is welcoming everybody to visit the exhibition and to be inspired by the visionary potential of art.

TRACK was initiated by S.M.A.K. It continues the tradition established by the large-scale exhibition projects Chambres d’Amis (1986) and Over the Edges (2000), which installed contemporary art in the context of the city and entered into direct dialogue with the public.

Participating artists
Adelita Husni-Bey, Ahmet Öğüt, Alexandra Bachzetsis, Alon Levin, Bart Lodewijks, Benjamin Verdonck, Christina Hemauer & Roman Keller, Christoph Büchel, Cyprien Gaillard, Danh Vo, Emilio Lopez-Menchero, Erik van Lieshout, Erwan Mahéo, Javier Téllez, John Bock, Lara Almarcegui, Lawrence Weiner, Leo Copers, Lonnie van Brummelen & Siebren de Haan, Mark Manders, Massimo Bartolini, Mekhitar Garabedian, Michaël Borremans, Michaël Elmgreen & Ingar Dragset, Mike Bouchet, Mircea Cantor, Pascale Marthine Tayou, Pawel Althamer, Peter Buggenhout, Peter Fischli & David Weiss, Pilvi Takala, Simona Denicolai & Ivo Provoost, Superflex, Susanne Kriemann, Sven Augustijnen, Tadashi Kawamata, Tazu Rous, Tercerunquinto, Teresa Margolles, Tobias Putrih, Yorgos Sapountzis

Read the TRACK Manifesto at www.track.be.

Media relations
Ms. Els Wuyts
T +32 92 240 76 47
els@smak.be

*Image above:
Ahmet Öğüt, The Castle of Vooruit, 2012. Copyright S.M.A.K.

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Archaeology and the homeless community: Turbo Island, Bristol

9 Feb

Opening of the Providence Postcard Project

25 Jan

A love letter to, and ongoing exploration of, the city of Providence

Lower Lobby Gallery | Granoff Center for the Creative Arts | 154 Angell Street | Providence, Rhode Island

Opening reception: January 27, 2012 – 5:30pm

1000 postcards – 100 photographs – 22 neighborhoods. “The Postcard Project,” by artist Betsey Biggs, explores the familiar souvenir medium of postcards as a source of reflection by the residents of Providence on what meanings the city holds. Beginning this week, the project will be distributing pre-addressed, postage-paid postcards featuring photographs taken by Biggs during her visits to the neighborhoods of Providence. Local residents and members of the general public are invited to pick up postcards at Providence Community Library locations throughout the city, write to the Postcard Project, and share their own stories about the many places of Providence.

Biggs has designed the project to explore the many layers of both memories and imaginative associations that particular places in Providence hold for its residents. By using a combination of person-to-person engagement and postal circulation, the project spotlights the ideas of exchange and correspondence and their roles in the production of historical narratives. In the artist’s own words, “Cultural heritage is a palimpsest of recollections, associations, and stories; I have a particular interest in canonizing the personal, ephemeral, inconsequential stories that are often left out of heritage practices, and hope to create something beautiful out of these evanescent materials.”

Starting January 27, the images and stories of the returned postcards will be on display in the lower lobby gallery of the Granoff Center for the Creative Arts on Brown University’s campus, 154 Angell Street. Join us for the opening party to meet the artist, pick up a postcard and share your own stories on January 27 from 5:30 pm – 7:30 pm.

This commission has been realized as part of the Urban Cultural Heritage and Creative Practice international research collaborative organized by Ian Alden Russell, Curator, David Winton Bell Gallery in collaboration with Prof. Sue Alcock, the Joukowsky Institute of Archaeology; Prof. Steven Lubar, the John Nicholas Brown Center for Public Humanities and Cultural Heritage; Prof. Rebecca Schneider, the Department of Theatre Arts and Performance Studies.

“An Arcade Project” by Elise Nuding

12 Nov

We are glad to announce the upcoming performances of “An Arcade Project” – a site-responsive dance performance choreographed by Elise Nuding. Nuding’s practice and methodology are informed by training as an archaeologist, archival researcher and a professional dancer. “An Arcade Project” marks the culmination of her unique line of research inquiry into the possibilities for lived heritage as a mode of performance. From Elise:

Dear friends and colleagues,

I would like to invite you to the performances of “An Arcade Project”, the placed-based choreographic work I have been developing over the last few months in collaboration with five dancers. The performances will take place on Friday 18th November at approximately 11:30am-12:30pm and Saturday 19th November at approximately 10:30am-11:30am (rain or shine). They will occur in and around the Providence Arcade, which is located at 65 Weybosset Street and 130 Westminster Street. As there is not a formal beginning or end to the performances, you should feel free to arrive at the time that is convenient for you and stay for as long as you wish.

In addition to the flyer attached, more information about “An Arcade Project” can be found at the project blog:

anarcadeproject.blogspot.com

I hope to see you at the performances!