“The I-75 Project” by Norm Magnusson

5 Dec

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I just happened upon a rather intriguing public art intervention project by artist Norm Magnusson. The “I-75 Project” found Magnusson installing industry grade public historical markers along Interstate 75. While the form and aesthetic of the markers are consistent with traditional, institutional, “authorized” markers, the texts Magnusson has written for the markers exploit this familiarity with historical authorization to give voice to critical perspectives on culture in the United States. The moments recorded are neither “important”, “singular” or “historical”. Rather they are an acknowledge of the monumental that arises out of an accumulation of moments of everyday, overlooked and omitted cultural experience.

Read more about the project here: http://www.aldrichart.org/exhibitions/past/magnusson.php

Magnusson’s project is most reminiscent of the approaches of Repo History to a collaborative and meaningful engagement between history and contemporary art. Read more about Repo History here: https://urbanheritages.wordpress.com/2011/12/05/repo-history/

It is also reminiscent of the work of Shaun Slifer and his Howling Mob Society project in Pittsburgh. Read a post about his project here: https://urbanheritages.wordpress.com/2011/12/05/the-howling-mob-society/

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